MY SERGEANT SCREAMED “WALK AWAY!

On the floor sat a high-end baby monitor, playing a recording on a loop. And taped to the back wall of the closet was a map of the city with red circles drawn around every crime scene we had visited that month. I froze.

I felt the barrel of a gun press against the back of my head. “I told you to stay in the car, Todd,” Miller whispered. “But since you’re here, look at the signature on the map.” I moved my light to the bottom corner, and my knees buckled when I read the name Detective Sergeant Miller.

My breath catches. My flashlight shakes in my hand as the name sears itself into my brain like a brand. It’s his handwritingโ€”blocky, jagged, unmistakable. Not some coincidence, not a shared last name. It’s his. He marked every single location. Every murder. Every missing person. Every silent scream etched into that mapโ€ฆ by him.

โ€œYouโ€™ve been behind this?โ€ I rasp, unable to turn around, the barrel cold against my skull.

โ€œNot behind,โ€ he says calmly. โ€œAbove.โ€

I twist fastโ€”instinct overriding fearโ€”and slam my elbow backward. It connects with his wrist. The gun clatters to the floor, and I lunge, grabbing it mid-spin. Millerโ€™s already stepping back, his hands raised like this is just another Tuesday briefing.

โ€œEasy, Todd,โ€ he says smoothly. โ€œYou donโ€™t know what youโ€™re doing.โ€

โ€œDonโ€™t I?โ€ I snap. My hands tremble, but the gun stays level. โ€œThat kidโ€™s voice. You played it. You rigged it. You lured me here.โ€

He chuckles. Chuckles.

โ€œI didnโ€™t rig anything. I set a trap. A test. And you passed.โ€

โ€œWhat the hell are you talking about?โ€ I bark, inching backward toward the front door. I need to call this in. I need backup. I needโ€”hellโ€”I need to wake up. This canโ€™t be real.

โ€œYouโ€™re not like the others,โ€ Miller says, stepping forward. โ€œThey hesitate. They rationalize. You kicked the door in.โ€

โ€œI should shoot you right now,โ€ I growl.

โ€œAnd youโ€™d be a hero,โ€ he says, eyes glinting. โ€œBut you wouldnโ€™t understand. Not yet.โ€

Behind him, I catch a flicker of movement. A shadow, slithering at the corner of the exposed wall studs.

โ€œWhatโ€™s back there?โ€ I demand.

He doesnโ€™t turn. โ€œYouโ€™re not ready.โ€

I fire. A warning shot. It blows a hole through the drywall an inch from his ear.

Miller flinches, finally. โ€œOkay,โ€ he mutters. โ€œYou want answers? Follow me.โ€

I keep the gun trained on him as he leads me to the back of the house, where a decaying pantry door swings open to reveal a staircase leading down. Blacker than ink. The smell doubles. Triples. Death and chemicals and somethingโ€ฆ old.

He descends first. I should cuff him. I should call it in. But every instinct Iโ€™ve honed in ten years on the force tells me: If you stop now, no one will ever know the truth.

So I follow.

The basement is low and cramped, lit only by the beam of my flashlight and a single flickering bulb in the ceiling. The walls are covered in newspaper clippings, missing persons posters, and police reportsโ€”our reports. And photos. Surveillance photos. Me. Other cops. Some dead. Some missing. Some I havenโ€™t seen in months.

And in the center of the room stands a steel examination table.

On it lies a mannequin. A childโ€™s size. Covered in dried blood and tape residue. Its face is painted like a ventriloquistโ€™s dummy.

I recoil.

โ€œThatโ€™s not real,โ€ I say.

โ€œNo,โ€ Miller agrees. โ€œBut the last kid who was on that table? She screamed for three days.โ€

I whip the gun toward him again. โ€œWhy are you telling me this?โ€

โ€œBecause I want out,โ€ he says, tone flat. โ€œI built this network to clean up the filth. To go where the law couldnโ€™t. We warned them. They didnโ€™t listen. So we made them disappear.โ€

โ€œYouโ€ฆ killed people?โ€

โ€œWe saved the system from itself. But now? Itโ€™s gone too far. Others joined in. Took it further. I tried to stop it. But the machine keeps running.โ€

Iโ€™m shaking now. Sweat beads at my temples. โ€œWhy not just confess?โ€

โ€œWould you believe me?โ€ he asks. โ€œWould anyone? I needed you to see it. I needed you to end it.โ€

โ€œWhy me?โ€

โ€œBecause you still kick in doors.โ€

He tosses a file onto the table. I pick it up, thumbing through pages of photos, emails, internal memos. Corruption in the mayorโ€™s office. Judges on the take. Officersโ€”my officersโ€”on payrolls that donโ€™t exist.

โ€œThis goes beyond me,โ€ he says. โ€œThis is rot. Deep. Systemic. And if I vanish, theyโ€™ll erase all of it.โ€

He looks me dead in the eye.

โ€œBut if you bring it in? If you leak it? The system might just eat itself alive.โ€

I lower the gun slowly.

This is madness. Itโ€™s also the clearest picture Iโ€™ve ever seen of how broken things really are.

I grab my phone. No signal.

โ€œJammer,โ€ Miller says. โ€œUpstairs.โ€

I back up the stairs, never turning my back to him. He doesnโ€™t move. Just sits on a crate, head in his hands, muttering something I canโ€™t make out.

Outside, the storm has stopped. The cruiser is still there. The street is silent.

I kill the jammer. The signal returns.

I call it in. Not to dispatch. Not to internal. I call McKenzieโ€”FBI. A friend from Quantico. She answers on the second ring.

โ€œMcKenzie. I need you to get here. Now. No uniforms. No lights. No sirens.โ€

โ€œWhatโ€™s going on, Todd?โ€

โ€œJust come.โ€

Thirty-five minutes later, she arrives. No backup. Just a black SUV and a Kevlar vest. I brief her as we move through the house. She doesnโ€™t speak until we reach the basement.

Miller is gone.

But the file is still there.

And something else: a small digital recorder, blinking red.

I hit play.

Millerโ€™s voice crackles through the speaker.

โ€œI know youโ€™re listening, Todd. Or McKenzie. Or both. By now you know enough to burn it down. Just rememberโ€”this didnโ€™t start with me. It ends with them. Do what you came to do. Or walk away. But if you walk, donโ€™t look back.โ€

The line clicks off.

McKenzieโ€™s eyes meet mine. โ€œHeโ€™s not wrong.โ€

โ€œI know.โ€

We take the file. The photos. The clippings. Everything. We upload it to six secure drives and send it to every major news outlet in the city. We use McKenzieโ€™s clearance to push it through encrypted channels. We donโ€™t sleep. We donโ€™t eat. We work like men on fire.

And then the storm breaks.

Within hours, the mayor resigns. Internal Affairs opens dozens of investigations. Three judges are arrested trying to flee the state. Two detectives turn up deadโ€”apparent suicides, but no oneโ€™s buying it. The media devours it all.

They call us whistleblowers.

Heroes.

Traitors.

Depends who you ask.

And Miller?

Gone. No trace. No prints. No sightings.

But sometimes, when I walk past a vacant house, I hear a faint scritch-scritchโ€ฆ and a childโ€™s voice whispering, Mama?

The first time it happens, I nearly lose it. The second time, I record it.

Itโ€™s not a loop. Itโ€™s live.

McKenzie hears it too.

We follow the voices. We find more rooms. More files. More names. A new web.

It hasnโ€™t ended.

Itโ€™s only just begun.

But now we know where to look.

And we never walk away.