He looked up at the security guard, tears mixing with the rain on his face. “My sister… his mom… she didn’t make it out of the car. I pulled him out.”
The guard’s face went white. He immediately holstered his weapon. The judgment in the room evaporated, replaced by crushing shame. Doctors rushed the boy into surgery.
Ray sat in the waiting room for four hours, staring at the dried blood on his hands, shaking. Finally, the double doors opened. I expected the surgeon. Instead, two police officers walked in.
They weren’t looking at the front desk. They were looking straight at Ray. One of them was holding a muddy backpack found at the crash site. “Sir,” the officer said, handing Ray a piece of paper found inside the bag.
“We read this. You need to come with us.” Ray looked at the note. It was in his sister’s handwriting. He read the first line and his face turned pale. It didn’t say goodbye. It said: “If anything happens to me, don’t trust the police. Because the man who ran me off the road was a cop. His name is Matthew Krell.”
Rayโs throat tightens like itโs in a vise. His fists close around the note, crumpling the damp paper between his calloused fingers. The fluorescent lights overhead hum too loud, the world spinning around him like a carousel gone berserk.
โWhat is this?โ he growls, voice gravel and fury. โWhy are you handing me this? Why now?โ
The officers exchange a glance. One of them, a younger man with nervous eyes, clears his throat. โWe were just instructed to bring you in. That’s all we know.โ
Rayโs eyes lock on the older cop. Stockier build. Blank expression. No name tag. His fingers twitch toward his belt. Ray notices. Every inch of his skin screams that somethingโs wrong.
โI ainโt going nowhere,โ Ray says, slowly rising to his feet. โNot until I talk to the doctor. Not until I see Leo.โ
โHeโs in recovery,โ the younger officer says, tone softer now. โWe donโt want to scare the kid. Justโฆ come with us peacefully, okay?โ
But Rayโs instincts โ those same instincts that kept him alive on the road, in bar fights, in alleyways and deserts โ scream no. His sisterโs voice echoes in his head like a prayer, like a curse. Donโt trust the police.
He takes a half step back. The officers move forward.
Thatโs when a nurse โ a thin woman with pink hair and a spine of steel โ rushes into the waiting room.
โAre you Ray Wallace?โ she asks, out of breath.
Ray nods, not taking his eyes off the cops.
โLeoโs awake. Heโs asking for you.โ
Ray doesnโt wait for permission. He moves. Swiftly, like heโs dodging bullets. The cops shout behind him, but the nurse slips in front of them like a shield.
โThis boy just lost his mother,โ she says, blocking their path. โLet him have his uncle. You can talk later.โ
The older officer hesitates. He glares at her, then at Rayโs disappearing back.
Ray doesnโt hear what they say next. Heโs already down the corridor, heart pounding.
When he enters the recovery room, Leo lies on the hospital bed like a broken bird. His small face is pale, eyes heavy-lidded. But when he sees Ray, he smiles โ weak but real.
โYou came,โ Leo whispers.
Ray kneels beside the bed, his giant frame trembling. โCourse I did, buddy. I told you โ I got you.โ
Leoโs hand finds Rayโs, his tiny fingers curling around Rayโs dirt-streaked ones. โWhereโs Mommy?โ
Ray swallows hard. โSheโs… sheโs gone, kiddo. But Iโm here. Iโm gonna take care of you. No matter what.โ
Leo doesnโt cry. He just nods, like he already knew. Like some part of him had felt it the moment she left.
Then Leo says something that chills Ray to his bones.
โMommy said the man who hurt us had shiny buttons on his coat. And he smiled when he crashed into us.โ
Ray stiffens. Buttons. Smile. A uniform.
His sisterโs words blaze through his mind like fire on gasoline. Matthew Krell. A cop.
โDid he say anything to you, Leo?โ Ray asks, gently. โAnything you remember?โ
Leo closes his eyes. โHe said Mommy talks too much. He said no one would believe her.โ
Rayโs jaw clenches so tight it might crack. His breath comes in shallow bursts. He kisses Leoโs forehead, then stands up and heads into the hallway, fists balled, fury rising like a storm tide.
The pink-haired nurse stands outside the room, waiting.
โThank you,โ Ray mutters.
She nods. โWhateverโs going on… be careful. Those two cops? They didnโt sign in at the front desk.โ
Ray curses under his breath. โI knew it.โ
He doesnโt go back to the waiting room. He slips out a side door, down the service stairwell. Every part of him is vibrating with the need to move, to fight, to find the truth.
He heads to the hospitalโs payphone โ one of the few things that havenโt been torn out or replaced with shiny, traceable tech. He digs into his pocket, finds a crumpled dollar bill, and feeds it into the coin machine.
Then he dials a number he hasnโt used in seven years.
Three rings.
โYeah?โ comes the gruff voice on the other end.
โFrankie,โ Ray says. โI need a favor.โ
Thereโs a pause. โJesus. Ray Wallace? Youโre not dead?โ
โNot yet. But someoneโs trying to make sure I am.โ
Ray explains โ the accident, his sisterโs note, the shady cops.
Frankie whistles low. โYouโre tangled up in something nasty, man. Matthew Krellโs not just a cop. Heโs the cop. Head of Internal Affairs. You go up against him, you better have proof. Bulletproof, airtight, high-voltage proof.โ
โI donโt need proof,โ Ray says. โI need names. I need leverage.โ
โYou need to disappear,โ Frankie replies. โBefore he makes you and that kid vanish.โ
Ray slams a fist against the phone box. โNot until I finish what my sister started.โ
Thereโs a long silence. Then Frankie sighs. โAlright. Meet me in an hour. Iโll ping you a safe spot. Youโll need more than fists for this.โ
Ray hangs up, turns toward the exit, and steps back into the night.
Rain lashes the pavement. His boots splash through puddles as he hurries toward his bike โ still parked by the ER entrance, miraculously untouched.
But heโs not alone.
The older cop is leaning against a lamppost, arms crossed.
Ray slows his steps. โYou forget your manners, officer?โ
The cop smiles. It doesnโt reach his eyes.
โFunny thing, Ray. Thereโs no record of you having legal custody of the boy. And the woman in the ICU next to your sisterโs room? She saw the crash. Said it looked intentional.โ
Ray steps closer, jaw tight. โYou trying to scare me?โ
โTrying?โ The copโs smile widens. โIโm enjoying it.โ
Ray moves fast. One step, two โ and then he lands a right hook square in the copโs gut. The man doubles over, and Ray grabs him by the collar, slams him against the wall.
โYouโre not real law,โ Ray snarls. โYouโre his dog. You cover up his messes. Whatโs the plan? Frame me? Make Leo disappear?โ
The cop chokes out a laugh. โYouโre already dead, Wallace. You just havenโt figured it out yet.โ
Ray lets him go. โTell Krell heโll have to do better than that.โ
He hops on his bike and peels out, engine roaring like a demon in the rain.
One hour later, Ray walks into a dark garage behind an old warehouse, where Frankie waits with a duffel bag and a laptop covered in stickers.
โIโve been digging,โ Frankie says, motioning him over. โYour sister? She filed a sealed complaint against Krell last month. Claimed he was running off-the-books operations โ illegal surveillance, blackmail, threats. But she didnโt have enough evidence. She was gathering more.โ
Ray leans over the screen, eyes narrowing. โShe die before she could send it?โ
Frankie nods. โBut she saved one thing.โ
He pulls up a video. Body cam footage. Not official. It looks spliced together. Choppy, but damning.
Krell. Talking to someone in a dark alley. Threatening them. โMake her stop digging, or I will.โ
Ray watches the timestamp.
Two days before the crash.
โCan we trace this?โ Ray asks.
โAlready uploading it to five independent servers. Anonymous leaks. Krell canโt stop it.โ
Ray closes his eyes. Breathes deep.
His sisterโs voice echoes again. Donโt trust the police.
Now he knows why.
Two days later, the news explodes.
“INTERNAL AFFAIRS HEAD UNDER INVESTIGATION FOR CORRUPTION, ATTEMPTED MURDER.”
Anonymous footage floods the internet. Whistleblowers come out of the woodwork. Krell vanishes โ last seen leaving his office in a black SUV. The department scrambles to control the damage.
Ray watches it all unfold from a safehouse, Leo curled up beside him on a makeshift bed, sleeping soundly for the first time in days.
The kid stirs and mumbles, โUncle Ray?โ
โYeah, bud?โ
โAre the bad men gone?โ
Ray pulls the blanket up to Leoโs chin. โFor now, kiddo. For now.โ
But in his mind, he knows this war isnโt over.
Itโs just beginning.
Only this time, theyโre not alone.
And theyโre not running.



